Let’s explore an alternative reality, shall we?Most horror fans are by now aware that George Romero.almost. directed the feature film adaptation of the Resident Evil video games in the late ’90s. Back in April of last year, our own Daniel Kurland wrote an in-depth piece exploring what almost was , so we encourage you to read that piece if you’re looking for more information about that. But to make a long story short, Romero’s script was more faithful to the games and would’ve resulted in more of a straight-up horror movie than the frenetic, action-heavy film Paul W.S Anderson ended up making; alas, Capcom didn’t dig the script and Romero lost the gig. A shame, considering the games likely wouldn’t exist without him.Hell, zombies as know them today wouldn’t exist without Romero.But what if Capcom.did. like the script? And what if George A.

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Romero’s Resident Evil was released into theaters back in the late ’90s? It’s interesting to ponder what this alternate reality would’ve been like, as both the film franchise and Romero’s career would surely be in far different places than they are right now. Change one thing, as they say, and you change everything.For starters, let’s look at the franchise itself. Anderson’s Resident Evil tripled its budget at the worldwide box office back in 2002, ensuring that it would soon spawn a handful of sequels. And there’s no doubt that Milla Jovovich’s Alice played a huge part in the film’s success; of course, Alice went on to become the main character of the entire series, and her story is (allegedly) being wrapped up in this year’s Resident Evil: The Final Chapter. As fans of the game know, Alice was a character created for the film, and it was Anderson who wrote her into existence. What am I getting at here?

If Romero’s Resident Evil was made instead of Anderson’s, not only would Milla Jovovich likely not have been cast, but the character of Alice simply would not even exist.Can you imagine that?! Would the film franchise even be as popular and successful if it weren’t for Alice? Romero’s script primarily centered on video game characters Chris Redfield and Jill Valentine, and there’s no way of knowing who would’ve been cast in those roles or how well-received those characters would’ve been. Would the series have even made it to six films?What’s even more interesting, at least to me, is what would’ve become of Romero’s career had he directed the first Resident Evil film. If his unmade iteration of the project was as successful as Anderson’s, it stands to reason that Romero would’ve become something of a hot commodity in Hollywood.

He could’ve possibly directed subsequent installments and/or gone on to become a major player, directing bigger films and perhaps even abandoning his own zombie franchise. Keep in mind that Romero made Land of the Dead in the wake of his frustrations with Hollywood; his Resident Evil script being rejected, among several other failed projects at the time, no doubt played a huge role in Romero throwing in the towel and returning to his own independent world.Would Land of the Dead, Diary of the Dead, and Survival of the Dead even exist if Romero’s Resident Evil was made? I’m going to say probably not; and let’s be honest here, Romero’s career probably would’ve been better off if the latter two films never came into existence.

If Romero had a hit on his hands with Resident Evil, he could’ve gotten bigger budgets and would’ve been given the freedom to make more of the projects that he wanted to make, and it’s entirely possible that in this alternate reality, we’d still be seeing Romero-directed films on the big screen today.At one point, you may recall that Romero wrote a script for a film adaptation of R.L. Stine’s Goosebumps books; maybe if his Resident Evil was a hit, it would’ve been developed?Of course, it’s impossible to know how anything would’ve turned out had this butterfly flapped its wings.

But one thing is for certain: if Romero’s Resident Evil script was given the green light, we damn sure wouldn’t be sitting here right now looking forward to Milla Jovovich kicking ass up on the big screen as Alice once more. And that’s a pretty strange thing to ponder, don’t you think?Change one thing. Change everything.

Suzanne Desrocher ( m. 2011)Children3George Andrew Romero (; February 4, 1940 – July 16, 2017) was an American, writer,. He is best known for his of gruesome and satirical about an imagined apocalypse, beginning with (1968). This film is often considered a progenitor of the fictional zombie of modern culture. Other films in the series include (1978) and (1985). Aside from this series, his works include (1973), (1978), (1982), (1988), (1993) and (2000). He also created and executive-produced the 1983–88.Romero is often noted as an influential pioneer of the horror film and has been called an ' and the 'Father of the.'

Contents.Early life Romero was born in the borough of, the son of Ann (Dvorsky) and George Romero, a. His mother was, and his father moved from Spain to Cuba as a child. His father has been reported as being born in, with his family coming from the town of, although Romero once described his father as of descent.Raised in the Bronx, he would frequently ride the subway into to rent to view at his house. He was one of only two people who repeatedly rented the opera-based film; the other was future director. Romero attended in. Career 1960s. Night of the Living Dead (full film)After graduating from college in 1960, Romero began his career shooting.

One of his early commercial films was a segment for in which underwent a. With nine friends, including screenwriter, Romero formed Image Ten Productions in the late 1960s. This is the production company that produced (1968). Directed by Romero and co-written with John A. Russo, the movie became a and a defining moment for modern horror cinema.Among the inspiration for Romero's filmmaking, as told to in an interview for, was the British film, (1951) from the team.“It was the filmmaking, the fantasy, the fact that it was a fantasy and it had a few frightening, sort of bizarre things in it. It was everything.

It was really a movie for me, and it gave me an early appreciation for the power of visual media—the fact that you could experiment with it. He was doing all his tricks in-camera, and they were sort of obvious. That made me feel that, gee, maybe I could figure this medium out. It was transparent, but it worked.”1970s and 1980s. Romero on the set ofThe three films that Romero created that followed Night of the Living Dead: (1971), (1972) and (1973) were not as well received as Night of the Living Dead or some of his later work.

The Crazies, dealing with a bio spill that induces an epidemic of homicidal madness, and the critically acclaimed success (1978), a film that deals with the myth, were the two well-known films from this period.Romero returned to the genre in 1978 with. Shot on a budget of $1.5 million, the film earned over $55 million internationally and was later named one of the top by in 2003. He made the third entry in his 'Dead Series' with in 1985.Between these two films, Romero shot (1981), another favorite about a group of modern-day jousters who reenact tournaments on motorcycles; and (1982), written by, an anthology of tongue-in-cheek tales modeled after 1950s horror comics. The cult-classic success of Creepshow led to the creation of Romero's, a horror anthology television series that aired from 1983 to 1988.

1990s From the latter half of the 1980s and into the 1990s came (1988), about a killer helper monkey; (a.k.a. 'Due occhi Diabolici', 1990), an adaptation in collaboration with; (1993) from a novel written by; and (2000), about a man whose face becomes a blank mask.Romero updated his original screenplay and executive-produced the 1990 remake of directed by for /. Savini is also responsible for the and in many of Romero's films including Dawn of the Dead, Day of the Dead, Creepshow, and Monkey Shines. Romero had a in 's Academy Award-winning (1991) as one of 's jailers.In 1998, he directed a commercial promoting the in.

The 30-second advertisement featured the game's two main characters, and, fighting a horde of zombies while in 's police station. The project was obvious territory for Romero; the series has been heavily influenced by the 'Dead Series'. The commercial was popular and was shown in the weeks before the game's actual release, although a contract dispute prevented it from being shown outside Japan.

Was so impressed with Romero's work, it was strongly indicated that Romero would direct the first film. He declined at first — 'I don't wanna make another film with zombies in it, and I couldn't make a movie based on something that ain't mine' — although in later years, he reconsidered and wrote a script for the first movie. It was eventually rejected in favor of 's version. Romero attending a, 2005produced and released a 2004 remake of, with which Romero was not involved. Later that year, Romero kicked off the title Toe Tags with a six-issue titled The Death of Death.

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Based on an unused script that Romero had previously written for his 'Dead Series', the comic miniseries concerns Damien, an intelligent zombie who remembers his former life, struggling to find his identity as he battles armies of both the living and the dead. Typical of a Romero zombie tale, the miniseries includes ample supply of both and (dealing particularly here with and — ideas he would also explore in his next film in the series, ). Romero has stated that the miniseries is set in the same kind of world as his Dead films, but featured other locales besides Pittsburgh, where the majority of his films take place.Romero, who lived in, directed a fourth Dead movie in that city, released in 2005. The movie's working title was 'Dead Reckoning'. Actors, and starred, and the film was released by (who released the Dawn of the Dead remake the year before). The film received generally positive reviews.Some critics have seen social commentary in much of Romero's work. They view Night of the Living Dead as a film made in reaction to the turbulent 1960s, Dawn of the Dead as a on, Day of the Dead as a study of the conflict between and the, and Land of the Dead as an examination of.Romero collaborated with the game company Hip Interactive to create a game called, but the project was canceled midway due to the company's financial problems.In June 2006, Romero began his next project, called Zombisodes.

Broadcast on the Internet, it is a combination of a series of 'Making of' shorts and story expansion detailing the work behind the 2007 film. Shooting began in Toronto in July 2006.

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In August 2006, made two announcements about Romero, the first being that he would write and direct a film based on a by, author of and, called Solitary Isle and the second announcement pertaining to his signing on to write and direct George A. Romero's Diary of the Dead, which follows a group of college students filming a horror movie who proceed to film the events that follow when the dead rise.After a limited, Diary of the Dead was released on by Dimension Extreme on May 20, 2008, and later to on October 21, 2008.Shooting began in Toronto in September 2008 on Romero's (2009). The film was initially reported to be a direct sequel to Diary of the Dead, but the film features only, who appeared briefly as a rogue National Guard officer, reprising his role from the previous film, and did not retain the first-person camerawork of Diary of the Dead. The film centers on two feuding families taking very different approaches in dealing with the living dead on a small coastal island. The film premiered at the 2009.

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Prior to the May 28, 2010, theatrical release in the United States, Survival of the Dead was made available to and was aired as a special one-night showing on May 26, 2010, on.Romero made an appearance in the second map pack called 'Escalation' for the video game. He appears as himself in the zombies map 'Call of the Dead' as a non-playable enemy character. Romero is featured alongside actors, and, all of the four being playable characters. He is portrayed as a powerful 'boss' zombie armed with a movie studio light.2010s. Romero in May 2016In 2010, Romero was contacted by to direct a 3D remake of his younger brother 's film, (1975). Claudio was expected to write the screenplay and told Romero that his brother would also be involved. Romero, who showed interest in the project, decided to contact his longtime friend Dario only to find out that Dario was unaware of a remake and Romero ended up declining Claudio's offer.

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Romero stated that he had plans for two more 'Dead' movies which would be connected to Diary of the Dead and they would be made depending on how successful Survival of the Dead was. Romero, however, said that his next project would not involve zombies and he was going for the scare factor, but offered no further details.In 2012, Romero returned to video games recording his voice for 'Zombie Squash' as the lead, Dr. 'Zombie Squash HD Free' game was released by ACW Games for the in November 2012.In 2014, began releasing, a 15-issue miniseries written by Romero. The series is broken up into three acts, five issues each, and features not only zombies but also. In May 2015, it was announced at Cannes that the production company Demarest was developing the comic series into a TV series. The series will be written and executive-produced by Romero and.In May 2017, Romero announced plans for George A. Romero Presents: Road of the Dead, a film that he co-wrote with Matt Birman, who would direct the film making it Romero's second zombie-themed film that he did not direct himself.

Romero and Birman along with Matt Manjourides and Justin Martell will produce the film. Birman was the second unit director on Land of the Dead, Diary of the Dead and Survival of the Dead. Birman pitched the idea to Romero ten years earlier, saying the movie is like meets at a race, with significant inspiration from and that 'the story is set on an island where zombie prisoners race cars in a modern-day Coliseum for the entertainment of wealthy humans'.On July 13, 2017, Romero released the first for Road of the Dead and discussed the plot for the movie saying 'it's set in a sanctuary city where this fat cat runs a haven for rich folks, and one of the things that he does is stage drag races to entertain them,' Romero told Rue Morgue. 'There's a scientist there doing genetic experiments, trying to make the zombies stop eating us, and he has discovered that with a little tampering, they can recall certain memory skills that enable them to drive in these races.

It's really with zombies'. Romero died three days later leading to reports questioning if the film will ever be made. A prequel comic book series based on Romero's Road of the Dead was announced by in July 2018. The 3-part mini-series was released in December 2018. Personal life Romero was married three times.

He married his first wife, Nancy, in 1971. They divorced in 1978. They had one child together, Cameron. Romero met his second wife, actress Christine Forrest, on the set of (1973), and they married in 1980. She had in most of his films.

They had two children together, Andrew and Tina Romero. The couple divorced in 2010 after three decades of marriage. Romero met Suzanne Desrocher while filming Land of the Dead (2005), and they married in September 2011 at and lived in. He acquired in 2009, becoming a dual Canada-U.S.

His son Cameron is a filmmaker, responsible for the film Origins (2015), which is the prequel to.Death On July 16, 2017, Romero died in his sleep following a 'brief but aggressive battle with ', according to a statement by his longtime producing partner, Peter Grunwald. Romero died while listening to the score of one of his favorite films, with his wife, Suzanne Desrocher Romero, and daughter from his second marriage, Tina Romero, at his side. Influences Romero ranked his top ten films of all time for the 2002 Greatest Films Poll. They are, (a film on which a teenaged Romero worked as a ),. Romero listed the films in alphabetical order, with special placement given to 's The Tales of Hoffmann, which he cites as 'my favorite film of all time; the movie that made me want to make movies'. Filmography.